Kold9.com - Music for your soul

Fusion/new age keyboard player Keiko Matsui grew up in Tokyo and took her first piano lesson at the age of five. Influenced by Stevie Wonder and Rachmaninov as well as early fusion masters Maurice Jarre and Chick Corea, Matsui began composing while in junior high but studied children's culture at the Japan Women's University (Nihon Joshidaigaku). She moved to the Yamaha Music Foundation in Tokyo after graduation and formed Cosmos, recording four albums with the new age group. Her first album as a leader, 1987's A Drop of Water, was released in the U.S. two years after the fact on Passport. The LP also featured her touring partner and husband, shakuhachi player Kazu Matsui, and was financed with their honeymoon money. A contract with MCA that year resulted in two albums, No Borders and Under Northern Lights. Matsui moved to the White Cat label in 1992 and began charting in the contemporary jazz charts. Her 1995 album Sapphire hit number one on the charts, and its follow-up also reached the Top Ten the following year. Whisper from the Mirror followed in 2000; Deep Blue appeared the next year. The Ring from 2002 recalled the composer's classical background while 2004's Wildflower flirted with world music. Walls of Akendora appeared in 2005 with a smooth jazz flavor and updated version of Matsui's early hit, "Mountain Shakedown." Moyo followed in 2007.

If there's such a thing as poetic music, Matsui continues her discovery of it on this effort. For all its beauty ad more aggressive touches, this collection doesn't quite measure up to her previous collection No Borders, but there are moments of fusion in her work here which cook like never before, thanks to Eric Marienthal, Gerald Albright and guitarist Ron Komie. While husband/producer Kazu Matsui adds his mysterious shakuhachi wind to "Grey Cliffs," Matsui spends her time creating soundscapes which range from mainly acoustic to punchy electric pieces like "Hope." Clay Jenkins' flugelhorn is a plus. The two vocals here don't give Greg Walker enough excitement to play with; instead they seem too ambitious. Don't let the flowers on the cover fool you because this disc is anything but fluffy and pastoral in nature.